摘要
在何葆国的新作《东溪谣》中主要有四条爱情线索,本文试从这四场同中有异的爱情出发,分析人物的互相影响与感知错位,及其造成的人物心理立体纵深结构的丰富变化。笔者用"土楼精神"概括小说中保守的礼俗与思维方式,而"海洋精神"则相反,洋溢着奋发的原始生命活力和开拓精神。小说中,这两种精神互相交错、拉扯,共同构成了人物复杂精神状态的文化根基,也开拓了闽南文化的丰富内涵。
There are mainly four clues of romances in He Baoguo’s new work The Ballad of Dongxi. This paper tries to analyze the mutual influence and perception dislocation of the characters and ensuing changes of the three-dimensional and deep psychological structure of the characters from the four seemingly similar, but different romances. It generalizes the conservative etiquette and mode of thinking in the novel as "Tulou spirit", while the "marine spirit" is, on the contrary, full of original vitality and pioneering spirit. In the novel, the two spirits interweave and pull each other, which forms the cultural foundation of the characters with complex mental states, and also enriches the connotation of Minnan culture.
出处
《闽台文化研究》
2020年第4期99-104,共6页
Fujian-Taiwan Cultural Research
关键词
何葆国《
东溪谣》
感知错位
土楼精神
闽南文化
He Baoguo
The Ballad of Dongxi
perception dislocation
Tulou spirit
Minnan culture