摘要
宋元山水画对大自然的"线性"表现方式和艺术审美的哲思启发了作曲家秦文琛的音乐创作。在秦文琛的民族器乐作品中,音乐与宋元山水画实现了跨时空的审美理想对接——运用现代作曲技法,糅合"线性艺术"的诗意,描摹出作曲家记忆中天地自然的气息,神韵与感动。本文以秦文琛《向远方》民族室内乐系列作品为例,围绕音乐创作主题、风格技法和审美与情感表达三个方面,对其音乐创作与绘画艺术间的美学关系进行探讨和阐述。
The"linear"expression of nature and the artistic aesthetic philosophy of the Song and Yuan Dynasties’landscape painting inspired composer Qin Wenchen’s creativity.Qin’s Chinese traditional instrumental works resonate Song and Yuan Dynasty landscape paintings by applying contemporary compositional techniques,blending the poetics of"linear"art,and portraying the atmosphere,charm,and emotion of nature.Taking Qin Wenchen’s"To the Far End"as an example,this paper discusses and elaborates on the aesthetic relationship between his musical creativity and Chinese painting art,focusing on musical theme,style and technique,aesthetic and emotional expression.
出处
《音乐文化研究》
2020年第4期23-28,M0002,共7页
Music Culture Studies
关键词
秦文琛
《向远方》山水画
音画
Qin Wenchen
Landscape painting
To the Far End
Tonmalerei
