中国青花瓷纹饰艺术与儒释道文化思想研究

Study on the Art of Blue and White Porcelain Decoration Pattern with Chinese Confucian Culture

中国青花瓷纹饰,是在典型的中国传统哲学精神文化中孕育成长的艺术,它包含着多重文化意蕴和多种审美要素,凝聚着天、地、人精神。青花瓷纹饰文化审美以其特殊的方式不断延展着儒释道思想前进的足迹,儒家"以人为本""以和为贵""以礼为序""经世致用"的理念和道家"道法自然""天人合一""致虚守静""无为而治"的理念,以及佛家的"禅宗独盛""佛所行赞""佛教造像""佛教言孝",对青花瓷纹饰的历史发展影响深远。

Chinese blue and white porcelain decoration art is the cohesion of the spirit of heaven, earth and human, and it is an art that breeds and grows in the typical spiritual culture of Chinese traditional philosophy. It contains multiple cultural connotations and aesthetic elements. The cultural aesthetics of blue and white porcelain ornamentation in its special way continues to extend the footprint of Confucianism, Buddhism and Taoism. The Confucian concepts of "people-oriented", "harmony is the most important", "ceremony as the order", "managing the world for practical use" and the Taoist ideas of "following the nature", "the unity of heaven and man", "achieving emptiness and keeping quiet" and "governing without interfering the natural rules", as well as Buddhism’s "Zen alone thrives", "Buddha’s praise", "Buddhist statues" and "Buddha’s filial piety" have far-reaching influence on the historical development of blue and white porcelain decoration.