摘要
莲荷是公众极为熟悉的植物。在中国的文化传统中,莲荷具有多重文化意义。文章从女性与陶土、植物之间有趣而密切的关系入手,以陶艺家邱玲的作品《莲之魂》(包含状态、鱼戏、空间三个系列)与《花之灵》为研究对象,从物之移情、生生之意和身体隐喻三个方面来探讨其创作轨迹。植物的灵与性,无疑是邱玲二十多年来作品的一贯主题,同时这也是莲文化的一个重要隐喻。
Lotus, which is familiartous all,has multi-cultural connotations in traditional Chinese culture. The essay, which starts with the interesting and intimate relationship between female, ceramic clay and plant,focused on the two products of artist Qiu Ling "Soul of Lotus" and "Spirit of Flower".It has analyzed plant image in female artists’ ceramic works from the perspective of substance transference, vitality, and metaphor of the body.Spirit and sex of the plant are undoubtedly the consistent theme of her works and a significant metaphor of lotus culture.
作者
韩祥翠
HAN Xiangcui(Hubei Normal University,Huangshi 435002,Hubei,China)
出处
《中国陶瓷工业》
CAS
2020年第6期40-44,共5页
China Ceramic Industry
基金
湖北师范大学2020年度青年教师科研资助项目(HS2020QN020)。
关键词
植物
莲
移情
生殖崇拜
身体隐喻
plants
lotus
empathizing
fertility worship
body metaphor