儒道互补视阈下的古岳州窑陶瓷造型之韵

Beauty of Ceramic Pattern from Yuezhou Kiln under the Vision of Complementation of Confucian and Tao Thoughts

岳州窑是中国最早烧制青瓷的著名窑口,虽然岳州窑瓷依据不同的发展阶段表现出各自的艺术特色,但其中的文化内涵至始至终都呈现出儒道互补的状态。儒学与道家的文化作为中国华夏美学的根基,势必对岳州窑瓷器的艺术特色产生深远的影响。因此,本文将着重论述儒道互补文化在岳州窑瓷器造型艺术中的具体表现,以此说明岳州窑瓷器的文化内涵与艺术特色的交相辉映。

Yuezhou Kiln is one of the earliest kilns to create celadon and characteristics of its creation vary with the change of developing stages. However, cultural connotations do remain the same and consistently present complementation of Confucianism and Taoism which are the basis of Chinese aesthetics and thus have profound influence on the artistic features of Yuezhou ceramics. The paper is to analyze how complementation of Confucianism and Taoism is reflected in Yuezhou ceramics art pattern so as to strengthen the point that cultural connotations and artistic features enhance each other’s beauty.