论《水浒传》网络小说改编者的民间姿态

On the Folk Attitude of Network Adapters of Water Margin

《水浒传》网络小说改编者的民间姿态主要从三个方面表现出来:一是通过日记体小说对高大上的英雄人物的隐私、心理和情感进行披露;二是通过穿越小说对小人物偶然进入异空间、满足“我为英雄”的意淫进行描摹;三是通过“大话体小说”对英雄和凡人的喋喋不休的一腔废话进行尽情展示。所有这一切只不过是作为小人物的改编者在“压抑—反弹”的心理机制下,用“他人之酒杯浇自己之块垒”来做狂欢化的白日梦而已。但当改编者因为对自由的误用和滥用而深陷在白日梦的温柔乡里自鸣得意的时候,恰恰忘记的是与流俗共舞的文化快餐必将与流俗一同偕亡的发展规律,其中的经验和教训值得深思。

The folk attitude of the network adapters of Water Margin is mainly manifested in three aspects:first,the disclosure of the privacy,psychology and emotion of the heroes on the heights through the diary style novels;second,the description of the small characters who accidentally enter the alien space and satisfy the desire of“I am a hero”;and the third is the chatter of heroes and ordinary people through the novels of Dahua style Hugh's blah.All is just a carnival daydream of the adaptation of the little character,who uses the psycho⁃logical mechanism of“suppression rebound”,to“pour his own block with the wine cup of others”.However,when the adapters are compla⁃cent because of the misuse and abuse of freedom,they just forget the development law that the cultural fast food dancing with the vulgar will die with the vulgar.The experience and lessons are worth pondering.