论“世界文学空间”对“文学场”理论的发展

On the Development of“World Literary Space”to the Theory of“Field of Literary Production”

帕斯卡尔·卡萨诺瓦在借鉴布尔迪厄“文学场”理论的基础上提出了“世界文学空间”的设想。她主要将“场域”“资本”等理论由民族文学的研究移植到世界文学的研究中,并将世界文学研究与文学批评相结合,走出一条世界文学研究的新道路。虽然卡萨诺瓦借用其理论完成了对世界文学构想的初心,但在借鉴中有意避免布尔迪厄理论中“经济资本”“习性”等概念的做法,暴露出卡萨诺瓦在研究中存在的欧洲中心主义倾向。

Pascal Casanova proposed the idea of“World Literary Space”on the basis of Bourdieu's“Field of Literary Production”the⁃ory.She mainly transplanted the theory of“field”and“capital”from the study of national literature to the study of world literature,com⁃bined the study of world literature with literary criticism,and embarked on a new road of world literature research.Although Casanova bor⁃rowed her theory to complete the original idea of world literature,she deliberately avoided the concepts of“economic capital”and“habits”in Bourdieu's theory in borrowing,exposing the existence of Casanova's research Eurocentrism tendencies.