摘要
卷云纹是中国特色装饰纹样之一,它的创作、应用历史可以追溯到黄帝时期,其变化多端的形态是人们对自然现象的观察与艺术加工的结果,具有历史研究与艺术研究的双重价值。按照历史节点,文章以秦汉时期卷云纹为研究重点,结合社会与专业的实时环境产生的影响,论述卷云纹的发展规律,总结其从单体到连续的发展规律。
Cirque moire is one of the decorative patterns with Chinese characteristics.Its creation and application history can be traced back to the Yellow Emperor period.Its varied form is people’s observation of natural phenomena and artistic processing,which has the dual value of historical research and artistic research.According to the historical nodes,this paper focuses on cirrus in the Qin and Han Dynasties and combines the influence of social and professional real-time environment to discuss the development law of cirrus,sum⁃marize the development law from single to continuous.
作者
周泽晗
ZHOU Zehan(Anhui Normal University,Wuhu 241000,China)
出处
《广西科技师范学院学报》
2020年第6期91-96,共6页
Journal of Guangxi Science & Technology Normal University
关键词
卷云纹
云图腾
云崇拜
自然信仰
cirrus moire
cloud totem
cloud worship
natural belief
implements the application
