期刊文献+

拼贴及思想技术化——论先锋文学与新潮美术的交会 被引量:3

Collage and Thoughts Technicalization——On the Intersection of Avant-garde Literature and Trendy Art
下载PDF
导出
摘要 1985年前后,油画、中国画、戏剧、小说、诗歌等不同文艺类型集中借鉴、使用、创造着拼贴艺术,或是文本拼贴,或是结构拼贴,或是思想拼贴。拼贴成为新潮美术与先锋文学一致的艺术选择。通过拼贴的技术操作,新潮美术与先锋小说实现了思想的技术化操作,使历史、个体、命运等宏大思想主题得以及时传播。文学、美术的先锋特质实现了理念与形式的更新,其以不断变换的拼贴技术传递着对中西文化的思考,并在新世纪小说创作中得到了继承,但其中过于琐屑及强硬的拼贴,也存在技术化的弊端,伤害了思想的原创与深化。 Around 1985,oil painting,Chinese traditional painting,drama,novel,poetry and other different literary and artistic types concentrated on learning,using and creating collage art,either text collage,structural collage,or ideological collage.Collage has become the art choice of the new trend art and the avant-garde literature.Through collage technology operation,new fashion art and avant-garde novels,the technical operation routine of ideas is realized,and the grand ideological themes such as history,individual and destiny can be timely spread through collage technology.The modernist technological ideological path of avant-garde characteristics of literature and fine arts has realized the rebellion against realism and theme creation.It has carried on the different writing of Chinese and Western culture with the constantly changing collage technology,which has opened up a new ideological path,and has been inherited in the novel creation in the new century.However,the frivolous and tough collage also has the disadvantages of technicalization.It hurt the originality and deepening of thought.
作者 李徽昭 Li Huizhao(School of Humanities,Jiangsu University of Technology,Changzhou 213001,China)
出处 《晋阳学刊》 2021年第1期64-71,共8页 Academic Journal of Jinyang
基金 国家社科基金项目“八十年代文学思潮与美术思潮互动研究”(项目编号:18BZW157) 江苏高校“青蓝工程”项目,江苏理工学院社科基金项目(项目编号:KYY19524)资助成果。
关键词 先锋文学 新潮美术 拼贴艺术 思想技术化 avant-garde literature new trend art collage technology thoughts technicalization
  • 相关文献

参考文献3

二级参考文献20

  • 1Vincent B.Leitch,Deconstructive Criticism:An Advanced Introduction(New York:Columbia UP,1983).
  • 2Jonathan Culler.On Deconstruction:Theory and Criticism after Structuralism(London and Henley:Roudedge&Kegan Paul,1983).
  • 3Terry Eagleton,Literary Theory:An Introduction(Minneapolis U of Minnesota P,1983).
  • 4Jacques Derrida,Writing and Difference,trans.,Alan Bass(London and Henley:Routledge&Kegan Paul,1978).
  • 5Derrida,Of Grmmatology,trans.,Gayatri Chakravorty Spivak(Baltimore and London:The Johns Hopkins UP,1974).
  • 6Hazard Adams and Lexoy Searle,ed.,Critical Theory Since 1965(Tallahassee:UP of Florida,1986).
  • 7David H.Richter,ed.,The Critical Tradition(Boston:Bedford Books,1998).
  • 8Harold Bloom,The Anxiety of Influence:A Theory of Poetry(NY: Oxford UP,1973).
  • 9Paul deMan,Allegories of Reading:Figural Language in Rousseau,Nietzsche,Rilke,and Proust(New Haven:Yale UP,1979).
  • 10Jacques Lacan,TheFourFundamentalConcepts of Psycho-Analysis,ed.,Jaeques-Alain Miller,trans.,Alan Sheridan(NY:Norton,1978).

同被引文献14

二级引证文献3

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部