《项链》三种潜在结局分析

The Three Potential Ends of The Necklace

莫泊桑的短篇小说《项链》,以其短小之中潜藏深刻生存体验的特点,以其纯熟的人物塑造、情节设置、表达技巧,以其典范的文本规格、精彩的语言运用、巧妙的时空建构、丰富的解读空间,而成为世界短篇小说史上不可多得的经典之作。从我国对《项链》文本的接受史,能够看出这部作品广阔的解读空间。本文尝试以张英伦先生译本的《项链》文本为基础,并以法国著名导演克劳德·夏布洛尔改编的同名剧情电影所创设的电影文本语境为想象空间,给出《项链》结局的三种形态,进而通过对这三种结局的接受分析、互文性分析,展现《项链》这部作品在文本生成上的鲜明特色,及其在文本解读上的多元空间。

The short story The Necklace by Maupassant is the rare classic among the world’s short canons with its short and deep life experience,its skillful characters,plot setting,expression,a model text specification,wonderful language use and clever construction of space and time and rich reading space.The history of its acceptance in China shows it has a broad space for interpretation.Based on the text of The Necklace translated by Mr.Zhang Yinglun,this paper attempts to give its three potential endings and the analysis shows the distinctive features of its generation and multi-dimensional space in its interpretation.