比较视阈中新主旋律大片《中国机长》与《攀登者》的叙事得失

The Narration Comparison of the Two Films The Captain and The Climber

《中国机长》与《攀登者》均为“北上”香港导演执导,均关注真实发生的行业故事的新主旋律大片,且二者选材都具掀起观影热潮的巨大潜力,但二者实际接受效果却大相径庭--前者累计票房29.13亿元,在赚得盆满钵满的同时跻身国产影史票房榜十强(排名第九),而后者累计票房10.98亿元,投资一定不菲的它在与影院分账前提下难有收益。这种差别实归因于叙事与表达有异。因而,在比较视阈中细致探究二者的叙事异同与表达得失,无疑于相似类型的国产电影的未来创作有所启示。

Both The Captain(Liu Weiqiang,2019)and The Climber(Li Rengang,2019)are directed by“northbound”Hong Kong directors,and both focus on the new theme blockbuster of real industry Stories(the former focuses on the civil aviation industry,the latter focuses on the mountaineering industry),and both of them have great potential to set off a film watching boom(the former is adapted from the“May 14,2018”alternate landing of Sichuan Airlines flight,the latter is adapted from the Chinese mountaineering team’s two mountaineering events of Mount Everest in 1960 and 1975),but the actual acceptance effect of the two is quite different:the former made a total of 2.913 billion yuan at the box office,and ranked among the top 10 box office of domestic film history(ranking ninth),The latter has a total box office of 1.098 billion yuan,and the investment must be high.It is difficult to make profits under the premise of sharing accounts with cinemas.This difference is due to the difference between Narration and expression.Therefore,to explore the narrative similarities and differences and expression gains and losses of the two from the perspective of comparison will undoubtedly enlighten the future creation of similar types of domestic films.