摘要
文化产业是对现代性的"好恶交织"。消费者在日常生活与文化产业之间进行"逃离—回归"的往返循环,相应地产生"世俗—神圣—世俗"的转换体验。该过程可表示为文化产业的"神圣游程"体验模式,由分离、阈限、聚合三个阶段构成。该模式与旅游"神圣游程"体验模式在异质性体验和人际互动方面存在明显区别,但本质上同为"体验差异"的现代性生存哲学的体现。
Cultural industry is a mixture of ambivalence of modernity. Consumers escape and return circularly between daily life and cultural industry,and correspondingly produce transformation experience of"secularity-sanctity-secularity". This process can be expressed as the"sacred journey"experience mode of cultural industry,which consists of three stages of"separation","threshold"and"aggregation". There are obvious differences between this mode and that of tourism in heterogeneous experience and interpersonal interaction,but they are essentially the embodiment of modern survival philosophy of"experience difference".
作者
冯一鸣
张立波
周玲强
FENG Yi-ming;ZHANG Li-bo;ZHOU Ling-qiang(School of Management,Zhejiang University,Hangzhou 310012,China;School of Management,Ocean University of China,Qingdao 266100,China;Institute of Cultural Industry,Peking University,Beijing 100871,China)
出处
《北方民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第1期60-68,共9页
Journal of North Minzu University(Philosophy and Social Science)
基金
教育部规划基金项目“移动互联背景下微电影商业模式创新的路径与策略研究”(17YJA630133)
山东省社会科学规划项目“促进我省互联网文化产业发展对策研究”(18CHLJ05)。
关键词
文化产业
仪式
体验
现代性
旅游
Cultural Industry
Ceremony
Experience
Modernity
Tourism
