摘要
在历代题图赋中,明人程大约请人在自编的《程氏墨苑》中制图并自题其赋,其创作不仅在绘图史、木刻史上有其价值,而且在辞赋史上也堪称独树一帜。程氏对制墨的热爱而兼文翰,受到当世诸大家的肯定,同时,他的题图赋作以其铺衍图画与寄托精神,又与明代大量的题图赋创作有着同气连枝的意义,彰显了以自娱为创造的时代风貌。
In Chengshi Moyuan(程氏墨苑)of the Ming Dynasty,Cheng Dayue asked people to draw paintings and then inscribed Fu on them by himself.Besides the value in drawing history and woodcut history,the book had unique significance in Fu history.Literary masters at that time praised Cheng Dayue for his loving in making Chinese ink and superb skill in writing.With the functions of picture drawing and emotional sustenance,these picture inscription Fu works are in accordance with those in the Ming Dynasty which demonstrate the contemporary spirit of writing for self-entertainment of the times.
作者
许结
XU Jie(School of Liberal Arts,Nanjing University,Nanjing 210023,China)
出处
《辽东学院学报(社会科学版)》
2021年第1期1-6,共6页
Journal of Liaodong University:Social Science Edition
基金
国家社会科学基金重大项目“辞赋艺术文献整理与研究”(17ZDA249)。
关键词
程大约
《程氏墨苑》
题图赋
摹像
Cheng Dayue
Chengshi Moyuan(程氏墨苑)
picture inscription Fu
image depiction
self-entertainment