摘要
文章从历史源流、文化视野、社会主题、美学语境这4个部分对蒙古族声乐艺术进行人文释义。在历史与社会的"纵横"(远方与此在)切面上,在文化与审美的"上下"(形上与形下)交融中,予蒙古族声乐艺术以"宏大叙事"逻辑格式下的具象描述与感性抒发。从体裁沿革到题材类型,从表演方式的多样性到感性样态的多元化,在对蒙古族声乐艺术进行人文释义的表象之下隐含一种民族性的自我释义。
This paper makes a humanistic interpretation of Mongolian vocal music art from the four parts of historical origin,cultural perspective,social theme and aesthetic context.In the"vertical and horizontal"aspect of history and society and the"upper and lower"blend of culture and aesthetics,Mongolian vocal music has been developed with concrete depiction and emotional expression in a"grand narrative"logical format.From the genre evolution to theme types,from the diversity of performance methods to perceptual forms,a kind of ethnic self-interpretation is illustrated through the humanistic interpretation of Mongolian vocal music art.
作者
林颖
LIN Ying(College of Music,Inner Mongolia Normal University,Hohhot,Inner Mongolia,China 010022)
出处
《内蒙古师范大学学报(哲学社会科学版)》
2020年第6期83-88,共6页
Journal of Inner Mongolia Normal University:Philosophy and Social Sciences Edition
关键词
声乐艺术
人文释义
历史源流
文化视野
社会主题
美学语境
vocal music art
humanistic interpretation
historical origin
cultural perspective
social theme
aesthetic context