摘要
日本新生代建筑师在日本建筑文化的全球化输出过程中起到了不可替代的作用,他们已经不需要贴着日本的标签,对于他们来说关注当下、顺应社会动向、设计出好的作品才是重要的。日本建筑师藤本壮介作为日本新生代建筑师的代表,在解决建筑与城市问题时提出了建筑"原始的未来",城市建筑与森林树木产生了一定的类似性,在建筑类型学的角度,这与新理性主义建筑师阿尔多·罗西提出的"类似性城市"具有同质性。不同的文化语境催生了建筑师不同的内在建筑思想,国内正面临经济转型,城市与建筑产生的社会问题亟需建筑设计师解决。文章将从类型学的角度着重讨论日本建筑师藤本壮介解决城市问题的方法、实现设计思想的手段及所营造的空间意境,试图为国内建筑设计师在进行建筑创作过程中提供一定的思路。
The new generation of Japanese architects has played an irreplaceable role in the global export of Japanese architectural culture,they don't need a Japanese label anymore,it is important for them to pay attention to the current situation,conform to social trends and design good works.Japanese architect Fujimoto is a representative of the new generation of Japanese architects,he puts forward the"primitive future"of architecture when solving the problems of architecture and the city,urban architecture and forest trees,from the perspective of architectural typology,this is similar to the"similar city"proposed by Aldo Rossi,a neo rationalist architect.Different cultural context has given birth to different architectural ideas of architects.China is facing economic transformation,and social problems arising from cities and buildings that needs to be solved by architectural designers,from the perspective of typology,this paper mainly discusses the methods of solving urban problems,the means of realizing design ideas and the space artistic conception created by Japanese architect Fujimoto,trying to provide some ideas for domestic architectural designers in the process of architectural creation.
出处
《建筑与文化》
2021年第2期90-92,共3页
Architecture & Culture
关键词
建筑类型学
藤本壮介
空间操作
原型
architectural typology
Sou Fujimoto
space operation
prototype