摘要
建筑品牌是西方现代建筑崛起的产物,越来越多的建筑师意识到它带来的弊端,但是似乎也正身陷其中。当人们对建筑进行评论的时候,不可避免地受到建筑品牌的影响,这就需要理性看待建筑设计与建筑理论这种既有联系又相互割裂的矛盾关系。文章认为隈研吾本人的理论与其建筑材料的使用存在一些矛盾,这些矛盾在建筑作品上海虹桥展汇(Portmix Shanghai)上有所体现。而产生矛盾的原因是资本力量对建筑品牌的狂热追求,这种追求会导致资源的浪费以及建筑形式的复制与单一,并使人逐渐忽略建筑理论中的精妙内涵。
Building brand is the product of the rise of western modern architecture.More and more architects are aware of its disadvantages,but they seem to be involved in it.When people comment on architecture,they are inevitably influenced by the brand of architecture,which requires us to treat the contradictory relationship between architectural theory and architectural design.This paper argues that there are some contradictions between Kengo Kuma's theory and the use of building materials.These contradictions lie in Portmix,a building work in Shanghai.This kind of pursuit will lead to the waste of resources and the duplication and singleness of architectural form,and make people gradually ignore the subtle connotation of architectural theory.
作者
王嘉成
赵勇
Wang Jiacheng;Zhao Yong
出处
《建筑与文化》
2021年第2期122-124,共3页
Architecture & Culture
关键词
隈研吾
矛盾
建筑品牌
上海虹桥展汇
Kengo Kuma
contradictions
architectural brand
Portmix Shanghai