以“出走”反抗强权以“书写”拒绝遗忘——论黄碧云《媚行者》女性主义叙事的经典性

Collide with Powers by Departure and Refuse to Forget by Writing——On the Feminism Narration in Huang Biyun’s

黄碧云《媚行者》塑造的数位娜拉式的女性形象,或以出走的方式冲撞父权、夫权等专制强权和冷热暴力,或以生命体验来对抗战争、命运等有形敌人和无物之阵,或以知识考古的方式追溯女性苦难的历史原因,或以书写的方式拒绝遗忘、反抗绝望;她们以不同方式探寻“娜拉走后怎样”这一命题的当代答案,表达出“我不相信”的固执与倔强,更以宽广的国际视野突破了“小女人”“小时代”及“一个人的房间”等女性写作的局限。《媚行者》以新历史意识和后现代精神标识出当代女性主义思想的高度与深度,以文体融会和语体创新挑战了写作技艺的难度与高度,以多义题旨和技艺创新为当代文坛留下了一部难以复制的绝世孤品,不仅是黄碧云小说创作的里程碑,也是中国当代女性主义文学的经典之作。

Huang Biyun’s flatterer,created several female images that use departure to collide with authoritarian powers such as patriarchy,marital power,fate,war,etc.,not only traces the historical causes of woman’s tragic fate,but also explores the contemporary ways of female emancipation.In the fiction,the author describes some characters’refusing to forget and fighting against despair in the way of writing and express the faith of“I-don’t-believe”;and with the breadth and density of life experience,the author breaks through the writing limitations of“small women”and“one person’s room”with an international perspective,indicates the writing direction of“The Third-World Feminism”.The flatterer marks the height and depth of feminist thought with new historical consciousness and postmodern spirit,challenges the difficulty and height of writing skills with stylistic integration and innovation,and leaves a unique piece in the contemporary literary world with polysemy theme and technical innovation,which is not only a milestone in Huang Biyun’s novel creation,but also a classic of Chinese contemporary liberal feminist literature.