21世纪中国油画的自观、定位与概念——《美术》杂志(2000-2020)的思想履迹

Self-examination,Positioning and Concept of Chinese Oil Painting in the 21st Century:Mental Shift of Art Magazine(2000-2020)

新世纪以来,中国油画进入一个全新的发展阶段。全球化的文化处境与其自身发展的内在要求促使油画发展出现多方面的举措。《美术》在新世纪中国油画的发展方面发挥了重要的引导与理论建构作用,推动了中国油画的自主发展和本土化进程。本文通过梳理《美术》新世纪以来刊发的关于中国油画的重要文章,拟从自我观审、自觉定位与自我命名等方面,观察和总结不同学者、理论家在认知判断中国油画、确定发展方向、发掘表现特征并赋予学术名称等方面作出的积极探索与突出成就,以展现《美术》与中国油画密不可分的关系,以及《美术》对中国油画主流方向的确定与学术建设功效。

Chinese oil painting has entered a new stage since the beginning of the new century.Globalization’s cultural status and internal requirements of development have resulted in the emergence of various initiatives.Art plays a critical role in the guidance of Chinese oil painting’s development and contributes to its theoretical construction in the new century,which serves as the driving force for its independent development and localization.By collecting master pieces regarding Chinese oil painting published in Art in the new century,this paper proposes a summary of various scholars’and theorists’works and achievements in defining Chinese oil painting,its future direction,characteristics and academic titles from views of self-examination,self-positioning and self-naming.It is hoped to display the close relationship between Art and Chinese oil painting,as well as the decisive and academic significance of Art in mainstream Chinese oil painting.