摘要
黄土高原是石鲁生活和战斗过的地方,是他艺术创新和实践的源泉,许多代表作出自此题材。黄土高原的仰视构图、"S"形构图、俯视构图和沿河山崖构图,均是从大量写生中提炼出的典型性结构,再根据题材和内容的形式要求,将不同构图相互组合,进而创造出既丰富多变,又风格鲜明的黄土高原构图程式。而石鲁的黄土高原笔墨章法由皴法和用色两方面构成,在线、皴、墨、色的运用上均有创新,如其勾斫笔法是传统勾线类皴法与写生的有机结合;朱砂与墨混用的方式则超越了传统的边界。
The Loess Plateau is the place where Shi Lu lived and fought as well as the source of his innovation and works.A majority of his masterpieces fall into this category.The head-down composition of the Loess Plateau,"S"composition,and the riverside cliff composition are typical structures based on his summary of numerous sketches.Meanwhile,different compositions are integrated to meet the specific requirements of certain themes and content,and thus a diverse and distinctive Loess Plateau composition comes into being.Shi Lu’s presentation of the Loess Plateau consists of texture strokes and coloring.Innovations can be seen in his lines,texture strokes,ink and color.His hack strokes,for example,stands for a combination of traditional outlining texture strokes and sketching.His use of cinnabar and ink remarks a breakthrough of in tradition.
出处
《美术》
CSSCI
北大核心
2021年第1期101-106,共6页
Art Magazine
关键词
石鲁
黄土高原
笔墨
《转战陕北》
Shi Lu
Loess Plateau
brush and ink
Move to the Northern Shaanxi