王世贞以“气”论文思想探究

A Study of Wang Shizhen’s Thought of“Qi”in Literature

气,经历了从自然之气到文学之气的发展过程,逐渐成为了文学理论中一个重要的元范畴。王世贞论文重气,他不仅注重文学创作时的神气之合、调气之合、情气之合的内在性特征,还基于当时的文学发展环境,追求南北文气之合、江左之气和中原之气之合的外在性特征。文气之论不仅在王世贞的作品中得到体现,还成为他评论他人诗作的重要标准。以气论文,是认识王世贞文学思想的一个新维度,认识中晚明文学发展的新视角。

“Qi”,which has experienced the development from its natural connotation to literary connotation,has gradually developed into an important meta category in literary theory.Wang Shizhen’s highlights the concept of“qi”in literature,not only emphasizing the integration of spirit,taste and emotion in literary creation,but also going after the external features of the integration of different literary schools,such as the south and the north,the east and the central plains.The thought of“qi”finds a full expression in Wang Shizhen’s own creation and also works as one of the important criteria for him to comment on others’poems,which is a different way to appreciate Wang Shizhen’s literature thoughts,as well as a new perspective to study the development of literature in the middle and late Ming dynasty.