摘要
2019年"一带一路"国际交流研讨活动的主题因为建立在中俄建交70周年的历史背景下,所以展映遴选了2018年最有代表性和研究价值的六部俄罗斯电影。这六部电影从类型到风格、从题材到表现手法都迥然不同,却恰好在另一个层面呈现出俄罗斯电影在好莱坞电影占领市场的背景下逐渐被边缘化并日渐式微的现实情境。俄罗斯所面临的现实困境和其电影中所呈现出的隐秘而又复杂的主流价值形态,非常值得关注和思考。本文以此次展映的六部作品为例,管窥俄罗斯电影作品中国家形象的构建,以期对中国电影的发展带来启示。
As the "Belt and Road" international exchange seminar in 2019 is set against the historical background of the 70th anniversary of the establishment of diplomatic relations between China and Russia,six Russian films in 2018 are selected for the exhibition.These six films are completely different from each other in terms of genre,style,subject matter and expression technique.However,they do reflect the reality of Russian films on another level.Under the background that Hollywood films occupy the market,Russian films are gradually marginalized and weakened.The real dilemma Russia is facing and the hidden complex mainstream values presented in its films are worth studying.This article takes the six films as an example to explore the construction of the national image in Russian films,which could provide reference for the development of Chinese films.
出处
《传媒观察》
CSSCI
2021年第1期53-57,共5页
Media Observer
基金
2019年度高校哲学社会科学研究重大项目“‘一带一路’国家电影文化传播研究”(2019SJZDA121)的阶段性成果。
