摘要
佩卡•萨米宁对自己设计构思的执着追求,以及无锡大剧院设计构思的最终实现,为中国建筑师们树立了良好的榜样。我由此想到当代中国建筑师的现状和中国建筑师们的工作环境,并开始深入思考无锡大剧院这一案例带来的教育与启发。不久前我写了一篇《普利茨克建筑奖与当代建筑思潮》的文章,其中罗列了中国当代建筑的“十二病”。在此拟结合萨米宁在无锡大剧院项目中从设计到施工过程中展现的建筑专业性,对此“十二病”进行进一步的分析。
Pekka Salminen’s perseverance in the pursuit of his design vision,and its ultimate realisation in the Wuxi Grand Theatre,sets a good example for Chinese architects.This caused me to reflect on the condition of contemporary Chinese architecture and the environment in which Chinese architects work,and I began to consider in depth the lessons to be learned from the case of the Wuxi Grand Theatre.I have earlier written an article on the Pritzker Architecture Prize and contemporary architectural trends,in which I listed the twelve“diseases”,or defects,of modern Chinese architecture.Now,I will attempt a further analysis of these defects,mirrored against the architectural professionalism demonstrated by Salminen from the design to construction of the Wuxi Grand Theatre.
作者
方海
Fang Hai(Rector of Guangdong University of Technology School of Art and Design)
出处
《世界建筑导报》
2021年第1期76-79,共4页
World Architecture Review