摘要
被北京壮丽的西山景观包围的五里春秋泛文化艺术中心试图创造一个建筑、景观、室内三位一体的项目,它的建筑和室内设计试图让观者可以体验身临其境的被景观环绕的感受。一条连续的从外到内的坡道盘旋上升,远处的景观被动态的而不是静止的引入到建筑中来,此时,景观的“第一本质”便和室内的“第二本质”无缝的联系在了一起。由于室内外都紧密围绕着景观展开,这个向上的路径空间的气氛在某种程度上具有了一种朝拜自然的仪式感。
Wuli Epoch Culture Center attempts to create a triptych for architecture,landscape and interior design in the project.While the project is encompassed by the splendor Western Hills,the architecture and interior design put up an immersive show within the landscape.The distance landscape is introduced to the project in a dynamic rather than static way.A continuous path wrapped around from exterior to interior.The first nature of landscape and the second nature of the interior space join seamlessly through the path.The ambience along the path is circumferential and religious to some extend,as a way to worship nature.
作者
张继元
卜骁骏
蒋萍
黄玮
李振伟
颜然
郑来荣
王珏
马磊磊
黄博
秦川
刘连华
曹纯彪
吴疆
林唯聪
无
Zhang Jiyuan;Bu Xiaojun;Jiang Ping;Huang Wei;Li Zhenwei;Yan Ran;Zheng Lairong;Wang Yu;Ma Leilei;Huang Bo;Qing Chuan;Liu Lianhua;Cao Chunbiao;Wu Jiang;Lin Weicong;无(不详;Atelier Alter Architects;Highlite Images)
出处
《世界建筑导报》
2021年第1期123-129,共7页
World Architecture Review