谈周国桢艺术(1981-2000)中动物陶瓷雕塑的意象美

On the image beauty of animal ceramic sculpture in Zhou Guozhen’s Art(1981-2000)

当下陶瓷雕塑的研究和发展方向,一直以来都是陶瓷艺术家们所研究的问题。通过对中国动物陶瓷雕塑大家周国桢教授作品中意象美的分析,了解到我国当下陶瓷雕塑的发展趋势。本文首先通过分析解读周国桢教授(1981—2000年)的部分作品,从中发现不一样的审美风格。在追求人与自然和谐统一的今天,如何将传统文化和自然文化相结合的创作是当下陶瓷雕塑的发展趋势。本文主要通过两个部分进行论述,第一部分为周国桢(1981——2000)年的部分使用粗制泥料和中国传统文化元素的作品进行解读,第二部分阐述的是周国桢教授的审美观念和艺术表现形式对笔者的启发。

The contemporary research and development trend of ceramic sculptures have been a hot issue that attracts attention from ceramic artists.Based on analysis of imagery beauty in works of famous Chinese animal ceramic sculptor Zhou Guozhen,the development tendency of contemporary ceramic sculptures in China is easy to identify.First,this article analyzes several works of professor Zhou Guozhen from 1981 to 2000,and discovers distinctive aesthetic style from them.In modern times when harmony between human and nature is widely acknowledged,how to integrate traditional culture and natural culture in creation is the undoubted development tendency of ceramic sculptures.This article is mainly divided into two parts.The first part is to interpret the traditional Chinese elements and coarse mud in works of Zhou Guozhen from 1981 to 2000,while the second one is to introduce the aesthetic concepts and expression forms of professor Zhou Guozhen,as well as their enlightenment to the author.