从政治景观到宗教图像:丽江壁画的图像学研究

From Political Landscape to Religious Image:an Iconological Study of Lijiang Murals

丽江壁画在明代前期以道释题材为主,自明代中叶始有藏传佛教题材内容,清代之后几乎全是藏传佛教题材内容。文章站在图像学研究视野下,认为前期壁画是木氏土司在丽江树立的一道政治景观。中后期壁画受藏传佛教影响越来越重,最终变成了纯粹的宗教图像,再无政治寓意。

In the early Ming Dynasty,Lijiang murals were mainly about Taoism and Buddhism.Since the middle of Ming Dynasty,there have been Tibetan Buddhism themes.After Qing Dynasty,almost all of them are Tibetan Buddhism.From the perspective of iconology,this paper holds that the early murals are a political landscape set up by Chieftain Mu in Lijiang.In the middle and later periods,the murals were more and more influenced by Tibetan Buddhism,and eventually became pure religious images without political implications.