摘要
"存在的难民"是佩列文的小说《夏伯阳与虚空》的注册商标,主人公虚空因在两个时空中的往返穿越而对脚下潮湿的土地产生深度怀疑。作家借助禅宗的"本来无一物"偈语使"世界就是幻象"成为可能,而"世界是文本"的判断让文本编织的世界具有不真实的属性,文本由此完成对现实本身的解构。
A displaced person of being is the trademark of Pelevin’s Buddha’s Little Finger. Pustota, the hero of the novel, has deep doubts about the damp land beneath due to his time travels between two time-space continuums. With a gatha of Zen sect, "all begins with nothing", the novelist makes "the world is an illusion" possible. The idea of "text as the world" renders the world of text an untruthful one, and thus the reality itself is deconstructed by text.
出处
《俄罗斯文艺》
CSSCI
2021年第1期24-32,共9页
Russian Literature & Arts
基金
国家社科基金一般项目“当代俄罗斯文学批评流派研究”(编号17BWW034)的阶段性成果
黑龙江大学对俄问题研究专项“构建人类命运共同体背景下的中俄文艺战略比较研究”(编号DEZ1905)。
关键词
《夏伯阳与虚空》
存在的难民
禅宗
世界是文本
Buddha’s Little Finger
displaced person of being
Zen sect
text as the world
