摘要
俄罗斯后现代主义是本土传统文化、西方同类现象以及20世纪俄苏文化进程综合作用下的产物,在上述影响下它形成了两大主要思潮——新巴洛克和莫斯科概念主义。鉴于以往研究中学界对于前两种成因的论述较为充分,因此本文尝试从俄苏当代文化进程的角度入手,分析俄罗斯后现代主义文学成因中的俄苏本土文化因素,以期能够弥补以往此类研究中的缺憾。
Russian postmodernism is a product of the combined effect of local traditional culture, similar phenomena in the West and the Russian-Soviet cultural process in the 20 th century. Under the above influence, it has formed two main trends——Neo-Baroque and Moscow conceptualism. In view of the fact that we have fully understood the meaning of the first two causes in previous studies, in this article, the author tries to analyze the causes of Russian postmodernism from the perspective of the development process of contemporary Russian culture, in order to make up for the neglected factors in previous research of this kind.
出处
《俄罗斯文艺》
CSSCI
2021年第1期94-102,共9页
Russian Literature & Arts
基金
2017年北京市教育委员会社科计划一般项目《帝都与社会革命:俄国文学中的圣彼得堡形象及其空间正义危机》(SM201710028001)
2018年国家社会科学基金后期资助项目《后乌托邦语境中的莫斯科概念主义研究》(18FWW003)阶段性成果。