摘要
元小说是1970年代在欧美兴起的一个文学术语,半个多世纪来国内研究者对英语世界元小说相关理论进行了较为系统的梳理,但鲜有学者关注俄罗斯的元小说理论发展状况。以此为契机,本文探讨了从形式主义到塔尔图-莫斯科学派对元小说现象的解释;描述了苏联解体后俄罗斯文艺学界对元小说术语的引进、理论的接受与研究;同时着重介绍了祖谢娃-奥兹坎的元小说分类及元小说历史诗学理论,旨在评述俄罗斯文艺理论家在元小说理论上所做的贡献与不足。
Metafiction is a literary term which emerged in Europe and America in the 1970 s. For more than half a century, domestic researchers have performed relatively systematic combing of the theories related to metafiction in the English world. However, very few scholars have paid any attention to the situation of the theoretical development of Russian metafiction. With this as an opportunity, this paper explores the interpretation of the metafiction phenomenon from formalism to the Tartu-Moscow School;describes the collapse of the Soviet Union the introduction, theoretical acceptance and study of metafictional terminology in Russian literary and art circles;also focusing on Zuseva-Ozkan’s classification of metafiction and the historical poetic theory of metafiction, aims to comment on the contributions of Russian literary theorists to the theory of metafiction and the Inadequate.
出处
《俄罗斯文艺》
CSSCI
2021年第1期103-112,共10页
Russian Literature & Arts
基金
教育部人文社科基金项目《20世纪20年代俄苏文艺转型时期“谢拉皮翁兄弟”文学革新研究》(编号:19YJA752029)。
关键词
元小说
理论
关于小说的小说
俄罗斯
分类
metafiction
theory
fiction about fiction
Russia
classification