洛特曼“符号圈”理论在中国接受的主体性研究

On the Subjectivity in the Acceptance of Lotman’s Semiosphere Theory in China

"符号圈"作为洛特曼文化符号学的核心概念之一,于本世纪初在接受语境向文化转向的背景下被引介入我国学界。继而动静交融的研究态势逐步凝定,主要形成了两种研究路径:语言学学者排除外力,力求化繁为简探寻"符号圈"的规律性,并对其理论层面的进路进行持续性探索;文学学者基于艺术思维,由简向繁,复杂地、变化地看待"符号圈",并从方法论的维度不断开拓"符号圈"模式下的文学现象解读的多元路径。回眸"符号圈"理论的中国接受历程,社会意识形态的变化、接受主体自身的知识基础和主体的需要,均直接影响着阐释目的及其结果,并推动了我国学界在为我所用的理论接受中呈现出鲜明的主体性特征。

"Semiosphere", as one of the core concepts of Lotman’s cultural semiotics, was introduced into China at the beginning of this century. Gradually, the static and dynamic research trends are formed, which mainly refer to two types of research paths: linguists’ exploration of the regularity of "semiosphere" based on the idea of simplifying the complexity, which further promotes the continuous exploration of theoretical approaches to the study of "semiosphere";literary scholars’ approach of regarding "semiosphere" as a complex and ever changing organism based on their artistic way of thinking, which promotes the multivariate interpretation of literary phenomena under the guidance of "semiosphere" theory. Along the acceptance process of "semiosphere" in China, the changes of social ideology, the subjects of acceptance’s knowledge background and their needs all directly influence the purpose of acceptance and its results, contributing to the formation of the distinct subjectivity in the acceptance of "semiosphere" in China.