摘要
数字信息时代,音乐批评受到自身发展局限与外部环境影响的双重压力。解读1978—1979年在约翰·霍普金斯大学举办的塔尔海默讲座所记录的五篇哲学性音乐评论文章不难发现,音乐批评的价值实现需要平衡音乐与历史、艺术与大众、传统与技术的矛盾,才能更好地融合感性的艺术体验与理性的价值反思,从而更好地服务于当今社会的音乐生活。
In digital informative age,music criticism is under the dual pressure of its own developmental limitations and external environmental influences.By reading the five philosophical music criticism essays from the Thalheimer Lectures held at Johns Hopkins University in 1978-1979,it is easy to find that,music criticism needs to balance the contradictions between music analysis and history,art aesthetics and the public,traditional methods and new technology,in order to better integrate the sensual artistic experience and rational value reflection,and thus better serve the musical life of today’s society.
作者
周婉怡
ZHOU Wanyi(Design&Art Institute,Hunan University of Technology and Business,Changsha,Hunan 410000,China)
出处
《城市学刊》
2021年第1期104-108,共5页
Journal of Urban Studies
基金
教育部人文社会科学研究一般项目(15YJC751029)。
关键词
音乐批评
美学
数字信息时代
music criticism
aesthetics
the digital information age