摘要
基于跨文化的研究视野,以美国西南部岩画艺术衍生形象——"可可佩利"(kokopelli)作为研究对象,在回顾其母题图像——印第安文化中"长笛演奏者"的起源和类型的基础上,分析跨文化挪用过程是如何通过对图像特征的保留与延续、清除与省略以及对形象所处情境、动作和姿态的调整与改造等等多种策略和方法,来实现艺术表现、审美效果、功能价值和精神意义的传承和创新。
From the cross-cultural perspective.this paper focuses on kokopelli,a derivative image of rock art in the southwestern United States,and reviews the origin and type of its motif image,the"flutist"in Indian culture.The paper analyzes how the process of cross-cultural appropriation achieves the inherit-ance and innovation of artistic expression,aesthetic effects,functional value and spiritual meaning through various strategies and methods such as the retention and continuation,the removal and omission of image features,as well as the adjustment and transformation of the situation,action and posture of the image.
作者
姚远
YAO Yuan(Nanjing University of the Arts,Nanjing 210013,China)
出处
《广西民族大学学报(哲学社会科学版)》
CSSCI
北大核心
2020年第6期162-173,共12页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
跨文化视野
可可佩利
岩画艺术
图像挪用
cross-cultural vision
kokopelli:rock art
image appropriation