唐代八棱杯设计中的文化融合与流变

Cultural Fusion and Evolution in Design of Eight-ridge Cups in the Tang Dynasty

目的探讨在粟特外来文化因素影响下,唐代八棱杯的产生、发展、变化,以及与大唐文化融合的流变过程,寻找八棱杯本土化演变的表现和规律。方法通过图像学方法,对八棱杯的表面装饰人物形象及所执乐器进行溯源解析;通过类型学和比对分析法,分析八棱杯的器物形制和装饰方法,找到其流变特点;通过胡人图像的具体表现,解释其所处时期背后的社会审美情趣和艺术取向。结论8世纪中叶之前是唐代金银器的飞速发展时期,唐代工匠在吸纳外来文化的同时,对本土器物进行了大胆创新,摒弃了重装饰轻实用的设计理念,创造出的中西合璧的产品更加符合唐人审美情趣和使用习惯,并发现人们对舶来品的喜好并不在于其价值的高低,而在于其所反映的思想观念的转变和对创造力的激发。

The work aims to discuss the emergence,development and change of eight-ridge cups in the Tang dynasty under the influence of foreign cultural factors,and the process of its integration with tang culture,so as to look for the expression and rule of eight-ridge cup localization evolution.By the method of iconography,the work traced the origin of the decorative figures and musical instruments of eight-ridgecups;by typology and comparative analysis,the shape and decoration of eight-ridge cups were analyzed to find their rheological characteristics.The work explained the social aesthetic interest and artistic orientation behind the images of Hu people.During the Tang dynasty,gold and silver ware developed rapidly by the middle of the eighth century.While absorbing foreign culture,the craftsmen of the Tang dynasty made bold innovations in local implements,they abandoned the design concept of valuing decoration over use and created product which integrated both Chinese and western elements,and was more in line with Tang people's aesthetic taste and use habits.It is found that the preference for foreign products lies not in their value,but in the change of ideas and stimulation of creativity reflected in them.