西藏民间祈福仪式中的“百”“甲江”音乐调查研究——以加麻乡扬觉“拉嗦”仪式为例

Investigation and research on"rBad"and"‘Jags-rKyang’" music in Tibetan Folk Blessing Ceremony--Take the ceremony ofYangjor"Lhasol"as an example

文章基于西藏山南琼结县加麻乡扬觉村一年一度的民间祈福仪式"拉嗦"的实地调研,诚图运用音乐人类学的理论与方法,对该仪式的基本程式,"百""甲江"仪式音乐,以及其他音声的存见方式等方面逐一论述。本文旨在揭示民间仪式中古老音乐形态及其深刻内涵,通过调查和研究对西藏非物质音乐文化遗产的可持续发展起到积极的作用。

The thesis is based on the field trip of the annual folk blessing ceremony"Lhasol"in Yangjor Village,Gyalman Township,Chongyay County,Lhokha area,Tibet.This paper attempts to use the theory and method of musical anthropology to discuss the basic formula of the ceremony,the ritual music of the"rBad"and"'jags-rkyang",as well as the existing ways of other sounds.The essay aims to reveal the ancient music form and its profound connotation in Tibetan folk rituals,and play a positive role in the sustainable development of Tibetan intangible music cultural heritage through investigation and research.