论萨班《乐论》中声乐演唱技巧与美学思想

Saban’s Theory of Music in Vocal Singing Skills and Aesthetic Thought

萨班《乐论》成书于我国元代(公元十三世纪)时期,由藏传佛教高僧萨迦班智达·贡嘎坚赞①撰写,是西藏已知第一部以藏族音乐为主体进行撰写的理论著作,萨班《乐论》对藏族历史上不同种类的音乐理论和实践进行了探索与总结,对西藏民族音乐发展和传承都起到了重要作用,为民族音乐的进一步发展具有重要的指导意义。本文主要从萨班《乐论》中音和词两方面与现当代中国民族声乐演唱和语言进行对比分析,并对萨班《乐论》中音乐的美学思想进行初步探索。

Saban’s Theory of Music was written in the Yuan dynasty(13 th century AD) period.The book was written by Senior Tibetan Buddhist monk Sakya Banzhida.It is the first written in Tibetan music as the main body of theoretical work.Saban’s Theory of Music explores and summarizes different kinds of music theories and practices in Tibetan history,and plays an important role in the development and inheritance of Tibetan ethnic music.It has important guiding significance for the further development of folk music.This article makes a comparative analysis between the sound and word of Saban’s Theory of Music and the singing and language of modern and contemporary Chinese national vocal music.This paper makes a preliminary study of the aesthetic thoughts of music in Saban’s Theory of Music.