嘉绒“甲扎尔甲”山窟壁画遗存分析

Analysis on the Cave Mural Remains of Rgyal-rong“Brgya rtsa brgyad”

"甲扎尔甲"(■)修行洞与藏传佛教在马尔康一带的传播有着密切的关系,据笔者调查,甲扎尔甲不属于当地任何寺院,未发现与其相关的史料记载,窟内未见僧人留名,以及具有派系关系的刻字或其它能证明一脉传承关系的相关证据。根据笔者考究,窟内壁画的风格断定其作画时间大约为明清时期,由于壁画内容的多样性,以及壁画本身被自然和人为因素的双重破坏、后期缺乏维护措施等,只能依据现状调查分析个别造像,无法就整体推论出壁画的风格所属和传承归属。

There is a close relationship between the practice cave of brgya rtsa brgyed and the spread of Tibetan Buddhism in vbar khams area.According to investigation,brgya rtsa brgyad does not belong to any local monastery,and there is no relevant historical records.There is no monk’s name left in the cave,and there are no inscriptions with factional relationship or other relevant evidence to prove the inheritance relationship.According to the research,the style of the murals in the cave indicates that it was painted around the Ming and Qing dynasties.Due to the diversity of mural contents,the double destruction of the mural itself by natural and human factors,and the lack of maintenance measures in the later stage,we can only analyze individual statues based on the current situation,and can not infer the style and inheritance of the murals as a whole.