口述记忆中的语境与文本--对《中国民族民间舞蹈集成·青海卷》的再认识

Context and text in oral memory:A re-understanding towards the integration of Chinese Qinghai folk dance

文本在高度还原活态艺术的同时也存在有一定局限性,而作为一种"立体的"社会记忆,口述史相对于文本则更为鲜活与生动。在利用口述史的研究方法对《中国民族民间舞蹈集成·青海卷》的编写进行研究时发现,文本写作与社会和文化语境的差异性有着极其密切的联系。通过对编写者的采访使得研究更深入地挖掘到了文本背后不为人知的记忆,以更真实、全面、深入的视角去窥见文本形成过程中所包含的时代特殊性,在时代及文化存在差异的当下能够以更客观的角度去看待历史。

Text has some limitations in restoring dance art,but as a kind of three-dimensional social memory,oral history seemed more alive.When using oral history to study the integrated writing process,it was found that texts were particularly important linked to social and cultural changes.The little-known memories behind the text are found through the author’s dictation,to analyze the particularity of the times in the process of text formation from a more realistic,comprehensive and in-depth perspective,to make the present study of dance history more objective.