摘要
本文总结了进行中国古代妆容研究的三种途径,分别是:文献研究、图像研究和妆容复原,并以宋代“鱼媚子妆容”为案例,分析了如何通过文献研究和图像研究进行妆容复原的全过程。提出研究中国古代妆容最终是为了体会与了解中国传统妆容的审美意向与审美元素,并最终提炼出我们中国自己的妆容文化符号与审美特征,从而为当代“中式妆容”的创新设计提供母体滋养。
This article summarizes the three ways to conduct research on ancient Chinese makeup:documents research,image studies and makeup restoration.Taking"Yu Meizi Makeup"in the Song Dynasty as a case,it analyzes how to carry out the whole process of makeup restoration through documents research and image studies.It is proposed that the study of ancient Chinese makeup is ultimately to experience and understand the aesthetic intentions and aesthetic elements of traditional Chinese makeup,and finally extract our own Chinese makeup cultural symbols and aesthetic characteristics,so as to provide maternal nourishment for the innovative design of contemporary"Chinese makeup".
出处
《艺术设计研究》
CSSCI
2021年第1期41-45,共5页
Art & Design Research
基金
2019年上海市冷门绝学项目“中国古代妆品与妆容复原研究”(2019ZJX005)
2017年上海市教委曙光计划项目“中国古代妆容谱复原研究”(17SG49)的阶段性成果。
关键词
古代妆容
文献研究
图像研究
妆容复原
创新设计
Ancient makeup
Documents research
Image studies
Makeup restoration
Innovative design