三岛由纪夫的文化民族主义思想

Mishima Yukio’s Ideology of Cultural Nationalism

随着战后西方文化的大量流入和本国固有文化的节节败退,日本传统价值观开始逐渐动摇。作为战后日本知识分子一员的三岛由纪夫经过与迷惘、困惑的挣扎,开始了作为一名日本人的觉醒并萌发了“文化寻根”的意识,这种意识进而上升为文化民族主义并在其后半期文学作品集中体现。三岛由纪夫的文化民族主义植根于日本传统,可将其内核归结于“文化概念的天皇”、“文武两道”和“二元对立统一”。三岛把所有关注的焦点聚集在文化问题上,尽管多有极端之处,但出发点多是对日本民族精神、文化传统的考量以及对于文学艺术美的效果的追求和渲染,是其文化民族主义的迸发和呈现。

With the influx of the Western culture and the decline of Japan’s original culture after WWII,Japanese traditional culture became unstable.Mishima Yukio,one of the Japanese intellectuals after the War,began to wake and germinate the awareness of cultural origin-tracing after he walked through confusion and struggle,which was upgraded as the cultural nationalism and was epitomised in his latter literary works.Mishima Yukio’s own cultural nationalism is rooted in the Japanese tradition and can be concluded into“the cultural concept of the Mikado”,“civilization and militarisation”and“duality between unity and opposition”.He focus his attention on the cultural problems.Despite of many extremes,it was based on the consideration of the Japanese national spirit,the pursuit andrendering of aesthetic beauty in arts and literaturewhich represents an outbreak of his cultural nationalism.