基于美学向度的奥运会开幕式表演探究

Research on Olympic Games Opening Ceremony Performance Based on Aesthetic Dimension

奥运会开幕式表演是体育、艺术与科技融合的典范。研究通过对奥运会开幕式表演的哲学美学探讨,及作为审美对象、对象化过程和艺术美与崇高美的象征考察,得出以下结论(1)观众观看奥运会开幕式的审美历程是经由审美直观到审美欣赏再到审美鉴赏的不断螺旋上升的过程;(2)奥运开幕式表演是人类审美对象化过程,包含主客审美关系、审美距离、理性思维等审美判断要素;(3)奥运开幕式表演的美有两种一种是形式上作为艺术象征的优美;一种是内容上作为崇高与壮美象征的崇高美。研究为丰富发展我国体育美学理论,促进奥运开幕式表演观赏提供有益参考。

The opening ceremony performance of the Olympic Games is a perfect integration of sports,art and technology.Through the philosophical and aesthetic discussion on the Olympic Games opening ceremony performance as well as the examination of the aesthetic object,the process of aesthetic objectification,and the symbol of art and sublime beauty were studied so as to provide reference for enriching the development of China’s sports aesthetics theory and for promoting the Olympic Games opening ceremony performance.It could be seen that the Olympic Games opening ceremony performance was the object of aesthetic judgment and appreciation.It experienced the process from aesthetic intuition to aesthetic enjoyment and then to aesthetic appreciation.It was a process of human aesthetic objectification,including the subjective and objective aesthetic relationship,aesthetic distance,rational thinking and other elements of aesthetic judgment.There were two kinds of beauties:beauty in form as a symbol of art,and sublime beauty symbolized by the sublime and magnificent in content.Sublime inspired awe and grace made happiness.