摘要
相较于中国人脱胎于山居之乐的洞窟迷恋,西方建筑史中的洞窟主题,在不同时期以不同方式在建筑、园林中若隐若现,从未中断。以布雷绘制的"自然与理性之庙"图中的主题为线索,试图揭示洞窟在各时期的形式承接关系及其内在机制,意在为当代造园提供一条可供参照的文化线索。
In comparison to the Chinese obsession with grottos arising from mountain-dwelling fascination,a grotto in western architecture and landscape that exhibited great diversity loomed throughout history.This paper studies the main theme of the Temple of Nature and Reason drawn byétienne-Louis Boullee to analyze the duality of nature and reason in the grotto in different historical periods to understand the relationship of formal developments and the intrinsic evolutionary mechanisms.It aims to provide a frame of cultural reference for the design of modern Chinese garden.
出处
《建筑学报》
CSSCI
北大核心
2021年第1期112-119,共8页
Architectural Journal