电影的边界与影像文化的复合图景

Boundary of Films and Composite Pictures of Image Culture

数字技术与网络平台对电影的改变,不仅仅是创作与制作层面,还包括从影院电影、电视电影到网络电影的电影传播与观影方式的更迭,以及由此引发通过再次追问"电影是什么"这一古老而经典的命题来重新思考电影的本性与电影的边界。"电影"这一延续了一个多世纪的概念,正在溢出自身的外延,寻求新的认知,面临着被重新界定的可能。包括影院观影在内的多屏联动的各种观影方式,以及影像溢出日常观影层面而延伸至社会文化空间,呈现为影像传播的一种"无边"的现象,则或许会构成未来影像文化的复合图景。

For films, digital technology and network platform have changed a lot, not only in creation and production but also in film communication and viewing modes from cinema films, TV films to online films. Moreover, this will lead to a rethinking of the noumenon and boundary of films by re-questioning the old and classic proposition of "What is cinema?". Having been used for more than a century, the term cinema meaning more than its original meaning, is now seeking a new cognition and facing the possibility of being redefined, including the multi-screen interactive viewing modes, the extension of images from the daily viewing to the cultural presentation of social space. This presentation, as a "boundless" phenomenon of image communication in the contemporary society, may constitute a composite picture of the future image culture.