鲁迅的女弟子:朱天文、邱妙津以及“手记”在台发明

Lu Xun’s Female Followers:Chu Tien-wen,Chiu Miao-chin,and the Invention of“Notes”in Taiwan

鲁迅在台湾的影响每以实证的、左翼的方式呈现。朱天文和邱妙津却在1990年代以"手记"为载体,写来她们别样的"同志"恋曲,隐秘地回应了鲁迅在《伤逝》中重点探求的忏悔之情。三位作家以"手记"为枢纽,既各自呈现了"自白"作为一种制度,如何在不同的时空境遇里,发展出或启蒙、或抒情、或挥霍的生命情境和感觉结构,也同时辐辏出一种以微弱本体为特征的文学关系,复杂化了大陆与台湾的文学承续关系,引出以流动为特征的"华语语系鲁迅"的可能。

When we talk about the relationship between Lu Xun and Taiwan writers,especially left-wing writers,a positivist perspective is prevalently adopted.However,Chu Tien-wen and Chiu Miao-chin wrote their totally different gay stories in the forms of notes in the 1990s,which secretly responded to Lu Xun’s confession in Regret for the Past.Based on notes,the three writers not only illuminated confession as institution which(re)constructs structures of feeling in different situations,but also developed a weak ontology relationship between mainland literature and Taiwan literature,and the possibility of"Sinophone Lu Xun".