摘要
"在图板上"这一题目或许会让人误以为我们要在此宣扬"纸上谈兵",祭起概念建筑学的大旗,通过"图板上的无拘无束"来暂时忘却"现实中的循规蹈矩"。这种可能的误解是有其背后原因的——长期以来,确实有一种观念弥漫在建筑学的空气里,认为建筑只有摆脱了重力与功能的束缚,才能翱翔到纯粹艺术的高度,完成真实的自我。在2月早些时候一次纪念"建筑电讯派"60周年的线上活动中,几位即将步入耄耋之年的创始人一起回顾了当时的执念、理想与实验。
The title"On Drawing Board"perhaps would make people think we are here to encourage the idea of mere paper talk,by paying a tribute to conceptual architecture in which"the conformity in reality"could be temporarily forgotten and replaced by"the freedom of drawing".There is a reason behind this possible misunderstanding-for a long time,there has been a perception that only when architecture get rid of gravity and function can it rise to the level of pure art and accomplish its true self.
出处
《世界建筑》
2021年第2期8-9,共2页
World Architecture