摘要
一直以来,传统文学作为主流文学而存在,而网络文学则被打上了低俗的标签,种种偏见使网络文学成为“他者”的非主流创作。然而随着网络文学创作主体素养的不断提高以及读者需求的提升,网络文学创作开始注重对其自身文学价值的培育,并通过影视改编的再创作手法最大化地走向了消费大众。拥有持续自我更新能力的传统文化,将原本处于边缘的网络文学纳入文化消费主体之中,让原先处于“他者”的通俗文化进入到主体文化消费圈,共同推进新时代文学创作活动。
Traditional literature has always existed as the mainstream literature,while network literature has been labeled as inferior,carrying various prejudices in the literary world,and has become the"other".However,with the improvement of the subject literacy of network literary creation and the strict requirements of readers,network literary creation began to pay attention to the cultivation of its own literary value,and through film and television adaptation and other ways to maximize the trend to the public.The traditional culture with the ability of continuous self-renewal brings the network literature originally on the edge into the main body center,so that the popular literature originally in the"other"position enters the main body circle,and jointly enriches the mainstream literature.
作者
秦诗慧
QIN Shi-hui(Department of Chinese Language and Literature,Shantou University,Shantou Guangdong 515063,China)
出处
《兰州工业学院学报》
2021年第1期122-129,共8页
Journal of Lanzhou Institute of Technology
关键词
他者
主体
网络文学
影视改编
新时代文学创作
others
subject
network literature
movie and TV adaptation
literary creation in the new era