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“平原”、李佩甫及文学呈现的可能性

“Plain”,Li Peifu and the Possibility of Literary Presentation
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摘要 “平原”对于李佩甫的小说书写来说意义重大,找到自己的“平原”是他从一个作家到优秀作家的分水岭。找到自己的“平原”,意味着李佩甫具有了对现实进行透视性观察的能力,同时也意味着他可以从他的“平原”中不断汲取滋养自身的养料。李佩甫的“平原”未必能够解读成真正的现实中的平原,他透视性的观察未必就是对当下现实正确的发现,但是通过建构文学“平原”,他建构了一个独特的人性、文化人格自然显现的载体,从而让他笔下的人物在其中自然地呈现人性的幽暗曲折。 “Plain”is of great significance to Li Peifu’s novel writing,and finding his“plain”is the watershed for him from a writer to an excellent writer.Finding his own“plain”means that Li Peifu has the ability of perspective observation of reality,and at the same time,it means that he can constantly draw nourishment for his own literary tree from his“plain”.Li Peifu’s“plain”may not be able to interpret the true reality of the plains,his observation of perspectivity are not necessarily the right in the reality of the present found,however,through the construction of literature“plain”,he constructed a unique humanity and culture personality appeared natural carrier,so as to make his characters in them naturally dark,twists and turns of human nature.
作者 刘宏志 LIU Hongzhi(School of Literature, Zhengzhou University, Zhenghzou, Henan 450001, China)
机构地区 郑州大学文学院
出处 《中州大学学报》 2021年第1期17-21,共5页 Journal of Zhongzhou University
关键词 李佩甫 “平原” 载体 Li Peifu plain carrier
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