“新动画中国学派”的理论体系建构

The Theoretical Construction of“the Chinese School of New Animation”

中国动画发展一向重实践而轻理论,由于缺乏相应的理论体系,其创作和产业实践都遭遇了很大挫折:早已名扬四海的"中国动画学派"竟在动漫产业兴起中黯然衰落,而新兴的动漫产业则又面临着同样的问题。因此,构建"新动画中国学派"理论体系势在必行,并且应从社会语境、现实需求、历史经验和主体内容等方面来展开研究,从艺术本体论、产业机制论、文化传播论三大板块进行其理论建构。

The development of Chinese animation has always been concerned more on practice than theory.Because of the lacking of theoretical system the practice of creation and industry experienced frustration,the"Chinese animation school",which has been famous in the world,declines in the rise of animatic industry while the emerging animatic industry also faces such same issue.Therefore,the construction of the theoretical system of"the Chinese school of new animation"is imperative,and the following aspects should be studied:social context,realistic needs,historical experience,and the content of subject.Furthermore,the theories can be constructed from three areas:artistic ontology,industrial mechanism,and cultural diffusionism.