摘要
自电影诞生之日起,动物就已经成为纪实影像中不可或缺的一部分。伴随着媒介的变迁,动物题材纪录片的创作理念也经历了一系列变化,从最初的"结影映物"到"格物致理"再到"以物观人",最终走向数字新媒体时代的"物我合一"。这种变化既是"人类中心主义"不断消散的过程,也是人类对"命运共同体"的概念不断加深理解的过程。
Since the birth of film,animal has been an integral part of documentary.With the changes of media,the production ideas of animal-themed documentary has also experienced a series of changes,from initial"reflection of the animals"to"broadcasting of knowledge about animals",and then to"viewing human through animals",and finally to"integrating human and animals"in the era of digital new media.This process is not only a period of the dissolvement of"anthropocentrism",but also a trend of in-depth understanding of the concept of"the community of shared future".
作者
王琦
刘星伶
Wang Qi;Liu Xingling(Meishi Film Academy,Chongqing University,Shapingba,Chongqing,400044)
出处
《民族艺术研究》
CSSCI
2021年第1期95-102,共8页
Ethnic Art Studies
基金
2018年重庆市研究生教育教学改革项目“综合性大学影视类艺术硕士实践教学创新模式研究”(项目批准号:yjg183002)的阶段性研究成果。
关键词
媒介变迁
动物
纪录片
创作理念
media change
animal
documentary
production ideas
