极知造物欲其成——2020年度中国戏曲创作综述

Doing the Best to Make it Successful:Review on the Creation of Traditional Chinese Opera in 2020

2020年,"网络""线上""云端"成为戏曲界寻求行业突破的热点空间,这也是在面对人类突发公共疫情时,戏曲界探索艺术发展新空间而形成的年度创作热点。在2020年戏曲年度工作中,有两个现象值得戏曲界重视:一是广东戏曲创作中立足本土艺术主创人才培养、立足基层进行创作的"梅州现象",成为戏曲成长繁荣的典型个案;一是在江苏省戏剧文学创作院居于领军位置的罗周,以其创作为中心的"罗周现象"凸显出了优秀剧作家主导舞台创作、人才培养的重要性,展现了创作机制在当代舞台艺术创作中不可忽略的重要价值。2020年度全国的戏曲创作整体上强化了主题创作对于时代政策的紧密回应,同时也涌现出了在跨区域演出中具有良好口碑的优秀作品。

In 2020,"internet","online"and"cloud"became popular spaces for the breakthrough of the circle of traditional Chinese opera.This is also the year when the circle of traditional Chinese opera explored new spaces for artistic development under the pandemic that the whole human society face.There are two phenomena that the circle of traditional Chinese opera should pay attention to in regard to the year 2020,the one is the"Meizhou phenomenon"in regard to the creation of traditional Chinese opera in Guangdong Province that local opera authors are cultivated based on local arts and the operas are created at the grass-roots level,which is a typical case of theatrical prosperity.The other case is the"Luo Zhou phenomenon"which features the leading author Luo Zhou in the Jiangsu Institute of Theatrical Literature Creation.This case shows the importance of excellent dramatist in theatrical stage creation and talent cultivation,as well as the importance of the creation mechanism in contemporary stage artistic creation.The theatrical creation in 2020 reinforced the close response of thematic creation to contemporary policies and many excellent works emerged in cross-region performances.