摘要
文章以历史文献和设计档案为主要依据,以叙事学为研究视域,分析和综述了20世纪60—80年代流行色在中国丝绸设计领域的发展历程和历史情境,以及发展过程的参与主体和多元的叙事模式。从对国际流行色发展的感知与关注,逐渐发展到自发、自觉的尝试与探索,直至以叙事主体的身份与多种叙事模式积极参与到国际流行色的叙事体系与进程之中。此过程既是中国丝绸设计界对流行色概念、作用的认知、探索阶段,也是色彩设计观念的不断转换、发展的重要时期。
Based on historical documents and design archives,and with narratology as the research field,this study is intended to analyze and summarize the development course and historical context of popular colors in Chinese silk design from the 1960 s to 1980 s,as well as the participants in the development course and the diverse narrative modes.The study is conducted from perception of and attention to the development of international popular colors,to spontaneous and conscious attempts and explorations,and to actively participating in the narrative system and process of international popular colors with as narrative subject in multiple narrative modes.This process relates to both cognition and exploration of Chinese silk design circles on the concept and function of popular colors,and is also an important period for the continuous conversion and development of color design concepts.
作者
龚建培
GONG Jianpei(School of Design,Nanjing Lniversity of the Art,Nanjing 210013,China)
出处
《丝绸》
CAS
CSCD
北大核心
2021年第3期114-119,共6页
Journal of Silk
基金
国家社会科学基金艺术学重大项目(16ZDO6)
江苏高校优势学科建设工程资助项目(苏政办发[2014]37号)。
关键词
流行色
丝绸设计
历史情境
叙事主体
叙事模式
popular colors
silk design
historical context
narrative subject
narrative mode