“悖谬”表象之下的战争隐语——论《潘多拉之匣》的叙事策略

The War Argot under the Representation of“Paradox”:On the Narrative Strategy in Pandora’s Box

太宰治的《潘多拉之匣》突破了同时段文学创作的既定范式,用第一人称叙述方式,塑造了一个因肺病置身于战争生态之外且被送入名为"健康道场"疗养院的少年形象。本文借助叙述学理论,从第一人称叙述者"我"、无时性叙述等叙事元素切入,分析文本中出现的种种"悖谬"描写之下的严肃主题,以及与"悖谬"密不可分的肺病隐喻,深入探讨实际作者如何借用一个看似游离于战争之外的"局外"叙述者之口,表达自己的战争认识及其战后的社会适应,进而审视战时共同体于天皇制之下想要挣脱却又无法挣脱的战争枷锁。

Dazai Osamu’s Pandora’s Box gave up the fixed paradigm of composition and used the first person narrative perspective to portray a teenager character,who was kept out of the war by lung disease and sent to a sanatorium named Kenkodoju.From the theory of narratology and the narrator"I",as well as elements of archrony narrative,serious themes under such unreasonable paradox and related metaphor are analyzed.In view of this,the research discusses the way Dazai Osamu expressed his understanding of the war and postwar social adaptation as an outsider,and further explores the shackles imprisoning all the readers,including himself under Mikado system.